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The IUP Journal of Commonwealth Literature
The Creation of an "Anti-Thriller": Vikram Chandra in Conversation
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Vikram Chandra is an acclaimed South Asian writer who divides his time between Mumbai/Bombay and Berkeley, California, and is married to writer Melanie Abrams with one child. Born in Delhi in 1961, Chandra was educated at Mayo College, Rajasthan, and St. Xavier's College, Mumbai, before moving to California for undergraduate studies in English and creative writing. His mother is an author of Hindi films and plays, and both his sisters are also involved in Indian cinema, one as a film director and writer, the other as a critic. As such, while Chandra is best-known for his literary fiction, it comes as no surprise that he has also followed in his artistic family's footsteps by co-writing the script for the Bollywood film, Mission Kashmir (2000).

Chandra's first novel, Red Earth and Pouring Rain (1995), was awarded the Commonwealth Writers Prize for Best First Book and its epic, fantastical structure owes a debt to Salman Rushdie's Midnight's Children (1981), while the plot is grounded on historical research into the life of James "Sikander" Skinner, a nineteenth-century Anglo-Indian soldier. His short story collection, Love and Longing in Bombay (1997), comprises five stories named after Hindu philosophical concepts: a comedy of manners ("Shakti"), a ghost story ("Dharma"), a story set in the world of computing ("Artha"), a piece of romantic fiction ("Shanti") and the detective story, "Kama." This last long short story, as I have argued elsewhere (see Chambers), may be viewed as an example of postcolonial crime fiction, specifically the hard-boiled or noir subgenre, in the light of its depiction of the "mean streets" of Bombay (see Chandler, 1968, 533) and its spare, wisecracking style. As with other postcolonial writers of detective fiction, in this story Chandra challenges good/evil binary assumptions and tacit complicity with the (neo-) colonial law enforcement apparatus that exist in mainstream exemplars of the genre, while at the same time suggesting shared philosophical concerns with those of another subgenre, termed "metaphysical detective fiction" (Merivale and Sweeney,1999, 1). "Kama's" protagonist, the marginalized Sikh policeman, Inspector Sartaj Singh, is also a central character in Chandra's latest novel, Sacred Games (2006), signalling Chandra's ongoing interest in what he has termed the "gangster-and-policemen book" (Alexandru, 2005, 14).

 
 
 

Commonwealth Literature Journal, Anti-Thriller, Vikram Chandra, Indian Cinema, Bollywood Film, Hindu Philosophical Concepts, Postcolonial Crime Fiction, Metaphysical Detective Fiction, Evil Binary Assumptions, Public Works Department, Local Government, Entrepreneurial Society, Moral Judgements.